Two long-time collaborators share a piano concert of epic stillness.
Neal Meyer continues his exploratory celebration of the silence of John Cage with a performance of the seminal graphic-score Solo for Piano from Concert for Piano and Orchestra (1958).
Keith Eisenbrey presents his recent contemplative pitch stereoscope: Welcome to my planet. I come in peace. Two frameworks, joined at the source, phased (in specious increments), cogs and gears, mutually warped and warping, rounding space.