Each month, Nonsequitur and a community of like-minded organizations and artists present ten concerts of adventurous and experimental music in the gorgeous Chapel Performance Space at the Good Shepherd Center: contemporary/post-classical composition, free improvisation and the outer limits of jazz, electronic/electroacoustic music, new instruments, phonography, sound art, and other innovative musics. Watch a video clip about us on the Seattle Channel.
Location & Contact
In the Chapel Performance Space on the fourth floor of the Good Shepherd Center.
4649 Sunnyside Ave. N.
Seattle WA, 98103
(SW corner of 50th & Sunnyside in Wallingford, Nearest Metro stops: 16, 44, 26)
Remy Morritt presents a recital given for the University of Washington School of Music. An up-and-coming drummer in the Seattle jazz and improvised scene and a student of Cuong Vu, Ted Poor and Greg Sinibaldi, Remy presents original contemporary jazz music and improvisations in the first performance of a collection entitled The Ant. This performance will feature Remy Morritt … Read More
Kaley Lane Eaton presents Lily, an electroacoustic “opera” for voice, live electronic processing and sensors, violas, saxophone, electric harp, piano, choreography, and projected imagery with an original libretto by Felicia Klingenberg.
Lily explores the psyche and heart of Lily Isabel Bunny, Eaton’s great-grandmother, an orphan who fled England at the start of WWI in 1915, alone, 25, female. She … Read More
For its season finale concert, Seattle Modern Orchestra collaborates with Paris-based clarinetist Carol Robinson in a program centered around Italian composer Giacinto Scelsi. Robinson worked closely with this enigmatic composer on his works. She will premiere a new work by SMO co-artistic director Jérémy Jolley, and celebrate the 90th birthday of renowned Seattle clarinetist/composer William O. “Bill” Smith. Program:
Interview … Read More
Cursive, a modern chamber ensemble specializing in performing hidden gems of modern classical music with a modular ensemble, is proud to present its season closer, As It Fell Upon A Day. Inspired by the joy and action of Spring and Summer, this unique program combines flute, clarinet, viola, voice and piano in distinct combinations to perform widely varied works … Read More
An evening of solo electronic and electroacoustic works with New York City’s Roarke Menzies and Portland’s Samson Stilwell making their Seattle debuts, along with Seattle’s own Norm Chambers.
Roarke Menzies is a New York City-based artist and composer who uses his voice, mouth and body, along with audio hardware, software and field recordings, to create electronic and electroacoustic sound works. … Read More
Inverted Space Ensemble presents the music of Elliott Carter and John Zorn. Featured on the program is Elliott Carter’s Shard (1997) and Triple Duo (1983). From John Zorn, his passagen (2011) (dedicated to Elliott Carter), bateau ivry (2011), and the West Coast premiere of obscure objects of desire (2016).