In an homage to the work of Pauline Oliveros, composer Paul Matthew Moore brings together 8 performers for an evening of intricate, quiet electro-acoustic music and dance that will ruminate on the tradition of west coast minimalism. The concert will feature a new collaborative score composed specifically for the Chapel Performance Space. The performance ensemble working with Paul consists of Josiah Boothby (horn), Marguerite Brown (percussion), Isaac Castillo (bass), Beth Fleenor (clarinet), Leslie Kraus (dance), Stephanie Liapis (dance), Darren Loucas (pedal steel), and Michael Maricle (piano, synthesizers). This ensemble will occupy the time/space with a performance of anti-genre art inspired by mercury, escapism/being present, nostalgia/fear of nostalgia, retro-spaceage-tecnology, avoidances of contemporary earth culture and contemplations of blended post-humanist futures.
Each month, Nonsequitur and a community of like-minded organizations and artists present ten concerts of adventurous and experimental music in the gorgeous Chapel Performance Space at the Good Shepherd Center (which sits on the traditional homelands of the Duwamish people): contemporary/post-classical composition, free improvisation and the outer limits of jazz, electronic/electroacoustic music, new instruments, phonography, sound art, and other innovative musics. Watch a video clip about us on the Seattle Channel.
Location & Contact
In the Chapel Performance Space on the fourth floor of the Good Shepherd Center.
4649 Sunnyside Ave. N.
Seattle WA, 98103
(SW corner of 50th & Sunnyside in Wallingford. Nearest Metro bus stops: 62, 44, 26)