Robinson/Wooley play Radigue/Dufour

Clarinetist Carol Robinson and trumpeter Nate Wooley give American and world premiere performances of new works by iconoclastic French composers Eliane Radigue and Denis Dufour. The program opens with Dufour’s fascinating Cinq forms d’appel for bass clarinet and trumpet, and continues with Radigue’s OCCAM XVI for solo bass clarinet, OCCAM X for solo trumpet, and OCCAM River III, an amazingly beautiful duet for trumpet and birbynė (the keyless Lithuanian folk clarinet). The Occam pieces are part of a substantial set of new works composed in conjunction with a small group of the world’s finest contemporary musical voices. This is a rare opportunity to hear new French works played by the cutting-edge performers for whom they were written.

Franco-American clarinetist Carol Robinson is known for her eclectic approach to performing, composing and improvising. Equally at ease in the classical and experimental realms, she appears in festivals, concert halls, and alternative spaces the world over. Her recordings of Feldman, Nono, Berio, Scelsi, Niblock, and of her own compositions, are widely acclaimed. One of Eliane Radigue’s most virtuosic and consistent collaborators, she has premiered Naldjorlak and numerous pieces from Occam Ocean.

New York-based trumpeter Nate Wooley has performed on over 100 recordings. Increasingly acknowledged internationally, Wooley’s specific style is part of a burgeoning revolution in experimental trumpet technique with the likes of improvisers Evan Parker, John Zorn, Anthony Braxton, and Thurston Moore. His own compositions expand conceptions of linguistic based embouchure manipulation and utilize the trumpet to control amplified feedback.

Presented by Nonsequitur with support from French American Cultural Exchange
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